Flamenco - Wikipedia. Flamenco (Spanish pronunciation: . It includes cante (singing), toque (guitar playing), baile (dance), jaleo (vocalizations), palmas (handclapping) and pitos (finger snapping). In Japan, there are more flamenco academies than there are in Spain. The word flamenco may have come to be used for fiery behaviour, which could have come to be applied to the Gitano players and performers. There are over 5.
Some forms are danced while others are not. Some are reserved for men and others for women while some may be performed by either, though these traditional distinctions are breaking down: the Farruca, for example, once a male dance, is now commonly performed by women too. There are many ways to categories Palos but they traditionally fall into three classes: the most serious is known as cante jondo (or cante grande), while lighter, frivolous forms are called cante chico. Forms that do not fit either category are classed as cante intermedio. They are the backbone of helping to create the ambiance to this much loved tradition of Spanish song and dance.
Structure. Each song of a set of verses (called copla, tercio, or letras), which are punctuated by guitar interludes called falsetas. The guitarist also provides a short introduction which sets the tonality, comp. The Phrygian mode occurs in palos such as sole. Modern guitarists such as Ram. Montoya also created a new palo as a solo for guitar, the ronde. Later guitarists have further extended the repertoire of tonalities, chord positions and scordatura. There are also palos in major mode; most canti.
The minor mode is restricted to the Farruca, the milongas (among cantes de ida y vuelta), and some styles of tangos, buler. In general traditional palos in major and minor mode are limited harmonically to two- chord (tonic.
Flamenco online store. All about the flamenco world. My Account; My Wishlist; My Cart; Log In; Dance. Flamenco (Spanish pronunciation: . It includes cante (singing), toque. Flamenco dance is an expressive dance form that mixes percussive footwork with intricate hand, arm and body movements.
- Flamenco is a Spanish musical genre. Flamenco embodies a complex musical and cultural tradition. Although considered part of the culture of Spain in general, flamenco.
- Information about Flamenco, a passionate and seductive art form, a mysterious and misunderstood culture that has been burning in Andaluc
The impression of vocal effort is the result of using different timbres, and variety is accomplished by the use of microtones. Use of enharmonic scale. While in equal temperament scales, enharmonics are notes with identical pitch but different spellings (e. Skips of a third or a fourth are rarer. However, in fandangos and fandango- derived styles, fourths and sixths can often be found, especially at the beginning of each line of verse. According to Rossy, this is proof of the more recent creation of this type of songs, influenced by Castilian jota.
Comp. It also refers to the rhythmic cycle, or layout, of a palo. The comp. If there is no guitarist available, the comp. The guitarist uses techniques like strumming (rasgueado) or tapping the soundboard (golpe). Changes of chords emphasize the most important downbeats. Flamenco uses three basic counts or measures: Binary, Ternary and a form of a twelve- beat cycle that is unique to flamenco. There are also free- form styles including, among others, the ton.
These metres are used in forms like tangos, tientos, gypsy rumba, zambra and tanguillos. Rhythms in 3. 4. These are typical of fandangos and sevillanas, suggesting their origin as non- Roma styles, since the 3. Roma music. 1. 2- beat rhythms usually rendered in amalgams of 6. The 1. 2- beat cycle is the most common in flamenco, differentiated by the accentuation of the beats in different palos. The accents do not correspond to the classic concept of the downbeat.
The alternating of groups of 2 and 3 beats is also common in Spanish folk dances of the 1. Century such as the zarabanda, j. Both palos start with the strong accent on 1. Hence the meter is 1. The seguiriya, liviana , serrana, ton. For practical reasons, when transferring flamenco guitar music to sheet music, this rhythm is written as a regular 3. The Buler. The accompanying palmas are played in groups of 6 beats, giving rise to a multitude of counter- rhythms and percussive voices within the 1.
As with any dance form, many different styles of flamenco have developed. In the twentieth century, flamenco danced informally at gitano (Roma) celebrations in Spain was considered the most . There is less virtuoso technique in gitano flamenco, but the music and steps are fundamentally the same. The arms are noticeably different from classical flamenco, curving around the head and body rather than extending, often with a bent elbow. In this style, the dance is always performed solo, and is improvised rather than choreographed. Some purists frown on castanets (even though they can be seen in many early 2. It is danced largely in a proud and upright way.
For women, the back is often held in a marked back bend. Unlike the more gitano influenced styles, there is little movement of the hips, the body is tightly held and the arms are long, like a ballet dancer. In fact many of the dancers in these companies have trained in ballet as well as flamenco. Flamenco has both influenced and been influenced by ballet, as evidenced by the fusion of the two created by 'La Argentinita' in the early part of the twentieth century and later, by Joaqu. The emphasis for both male and female performers is on lightning- fast footwork performed with absolute precision. In addition, the dancer may have to dance while using props such as castanets, shawls and fans. Props such as castanets, fans and shawls are rarely used.
Dances are choreographed and include influences from other dance styles. The flamenco most foreigners are familiar with is a style that was developed as a spectacle for tourists. To add variety, group dances are included and even solos are more likely to be choreographed. The frilly, voluminous spotted dresses are derived from a style of dress worn for the Sevillanas at the annual Feria in Seville. In traditional flamenco, young people are not considered to have the emotional maturity to adequately convey the duende (soul) of the genre. Therefore, unlike other dance forms, where dancers turn professional early to take advantage of youth and strength, many flamenco dancers do not hit their peak until their thirties and will continue to perform into their fifties and beyond.
Scenes of flamenco performance in Seville. See also. Flamenco and Bullfighting: Movement, Passion and Risk in Two Spanish Traditions. Jefferson, NC, USA: Mc.
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